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INTERVIEWS

David Tallerman author of Giant Thief

Mazarkis Williams author of The Emperor's Knife

Rob Ziegler author of Seed

Steven Gould author of 7th Sigma

Douglas Hulick author of Among Thieves (review here)

Mark Charan Newton author of Nights of Villjamur (review here)

Kameron Hurley author of God's War (review here)

Brent Weeks author of The Black Prism (review here)

Anthony Huso author of The Last Page (review here)

Brandon Sanderson author of The Way of Kings (review here)

Lou Anders Editor of Pyr Books

Ian Tregillis author of Bitter Seeds (review here)

Sam Sykes author of Tome of the Undergates (review here)

Benjamin Parzybok author of Couch (review here)

Kristine Kathryn Rusch author of Diving Into the Wreck (review here)

Ken Scholes author of Lamentation

Cherie Priest author of Boneshaker (review here)

Mark Teppo author of Lightbreaker (review here)

Lev Grossman author of The Magicians (review here)

S.M. Peters author of Ghost Ocean (review here)

Character Interviews

Alexia and Lord Maccon from Gail Carriger's Soulless

Lord Akeldama from Gail Carriger's Soulless

Eva Forge from Tim Akers's The Horns of Ruin

Atticus from Kevin Hearne's Hounded

RECENT REVIEWS

Faith by John Love

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Among Thieves by Douglas Hulick

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The Unremembered by Peter Orullian

Mechanique by Genevieve Valentine

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My BlogCatalog BlogRank Wikio - Top Blogs - Literature

UK Cover Unveiled for Hannu Rajaniemi's The Fractal Prince


Rajaniemi's debut The Quantum Thief took the Sci-Fi world by storm in 2010. It certainly made an impression on me. So saying I can't wait for the next book The Fractal Prince is no understatement, especially given the book was delayed a bit already. The organic looking spaceship art is quite eye catching, but I'm not a fan of the white background yet it does go along with the style from the UK paper release. Here is the blurb:
The sequel to Hannu Rajaniemi's extraordinary debut novel is set to build on the extravagent promise of one of the most exciting new voices to come out of the genre this century. Jean le Flambeur, posthuman thief, is out of prison, but still not free. To pay his debts to Oortian warrior Mieli and her mysterious patron the pellegrini, he has to break into the mind of a living god. Planning the ultimate heist takes Jean and Mieli from the haunted city of Sirr on broken Earth to the many-layered virtual realms of the mighty Sobornost. But when the stakes of the pellegrinis game are revealed, Jean has to decide how far he is willing to go to get the job done.

On the edges of physical space a thief, helped by a sardonic ship, is trying to break into a Schrodinger box. He is doing the job for his patron, and owner of the ship, Mieli. In the box is his freedom. Or not. The box is protected by codes that twist logic and sanity. And the ship is under attack. The thief is nearly dead, the ship is being eaten alive. Jean de Flambeur is running out of time. All of him. And on earth, two sisters in a city of fast ones, shadow players and jinni contemplate a revolution. There are many more stories than can be told even in a thousand nights and one night, but these two stories will twist, and combine. And reality will spiral. In Hannu Rajaniemi's sparkling follow-up to the critically acclaimed, international sensation THE QUANTUM THIEF, he returns to his awe-inspiring vision of the universe and we find out what the future held for Earth.
The US cover was released sometime ago and again graced by wonderful Kekai Kotaki art. The Fractal Prince will be released in the UK from Gollancz and Tor in the US come this September.



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REVIEW | Faith by John Love

My last "what should I read next" poll had a clear winner with Throne of the Crescent Moon, which has already been receiving high marks (I liked it as well, but that comes later). Being a bit of a contrarian I wanted to also pay some service to the low-runner in the poll: Faith by John Love. Why was it the low-runner? I suspect it has to do with the book being Sci-Fi while most of the others were Fantasy of one stripe or another. Fantasy still trumps Sci-Fi in terms of fandom, in the US at least, but it really shouldn't especially with something as special and different as John Love's debut Faith.

Faith isn't about the Science, but there are some intriguing ideas here in that regard. It is a smart, thoughtful exploration of humanity and how far obsessions can take us. So the back story. A few centuries ago a mysterious ship nicknamed "Faith" attacked the space faring Sakhran Empire (vaguely lizard-like humanoids) causing their society to pull back technologically. No one knows what Faith is exactly. Is it even like a normal ship with a crew or some kind of space-born creature? That mystery alone pulled me in and gave off a very strong Star Trek vibe. Faith is what you might get if Joe Abercrombie turned his dark skills to Science Fiction after reading a few Robert J. Sawyer novels and seeing a few too many Q episodes of Star Trek. This isn't a hard Sci-Fi read by any stretch, but that should help pull in the more fringe readers who fear something too technical and just want a totally enthralling story.

Presently, humanity has expanded into space and created the Commonwealth along with a few other races including the Sakhrans. Faith has returned. She is hostile and no one knows how to defeat her, but there is a chance. A slim chance that the Commonwealth's latest Outsider class vessel captained by Aaron Foord. Outsider ships are crewed by brilliant yet deeply flawed people that hope to match and possibly defeat the almost mythological Faith. Each Outsider ship is christened with a name to remind those aboard of what they are. Charles Manson is the name of the vessel charged with stopping Faith at all costs. That name alone should give a good idea of who the people are that man the Manson. This isn't a crew of do-gooders, but they are damn good at what they do.

Faith is a challenging read that attacks preconceptions of what is right. Love also reminds us what a lonely and cramped place space can be especially given the submarine-like atmosphere of the Manson and the isolation that most of its crew crave. Faith herself becomes the most endearing character as I winced at each battle scar she earned.

Deeply introspective, Faith, keys into many elements of psychology with deep influences of Moby Dick. For pages at a time nothing seemingly happens except for character examining the implications of what is to come and just what got them in the situation they are in. This "nothing" is completely riveting as exploring these characters and their motivations are what propel the story. At first the story seems like one of redemption for the crew, but as things move along it is clear they aren't looking to be redeemed or even accepted. They just want to win. As their past is revealed many uncomfortable things that would typically turn me off to a character intrigued me more about how they went from such evil to the point of being the possible savior of an entire vast multi-planet society.

This is a story that can appear slow at first, however it is one of the most suspenseful novels I've read recently. This is a complete story from beginning to end, which is quite something given the micro and macro scales Love examines. Once the chess game is officially started between Faith and the Charles Manson you'll be hooked as their back and forth fights are taut scenes that please.

Faith my not be for everybody, especially those that generally turn away from the dark side of humanity, but it is a rewarding experience that leaves you with that sense of wonder about space, what it can hold, and our place in it. I give Faith 4 out of 5 hats. Whoever found John Love for Night Shade Books should get a bonus for finding the next great Science Fiction star. Love is going to eventually belong in the same breathe as some of our greatest Sci-Fi writers. If Faith had been published just a month earlier I have no doubts it would have made my best of Sci-Fi shortlist.

And remember a little Faith can kill you.

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VIDEO | The Fantastic Flying Books of Mr. Morris Lessmore

Simply a wonderful short film that will enchant book lovers everywhere.



The Fantastic Flying Books of Mr. Morris Lessmore made by Moonbot Studios.

Via SFSignal

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New Procurements

Things are in full swing as I wind-down operations at Mad Hatter Central in preparation of moving into Mad Hatter Manor. Yes, that means I'm moving. This also means things around here will be slow. Again. But I do have some things in the works such as an interview or two. Anyhoo, here are the books most recently made part of my collection.


The first two were purchases made with my Christmas gift cards. Ben Loory's Stories for Nighttime and Some for the Day is a collection of short stories that has been getting a lot of good marks and I finally decided to go for it. The Rook by Daniel O'Malley is a debut for a new Urban Fantasy series and with a first line that starts: "The body you are wearing used to be mine." I'll be checking it out soon. And yes that big yellow book next is Nick Harkaway's Angelmaker. You may all weep into your hats in disappointment that it isn't in your stack, but it does come out in March so don't cry to deeply. Another March release is Jon Sprunk's last shadow book Shadow's Masters, which means it is time I get to the 2nd book Shadow's Lure. Heir of Novron finishes off the fun so-far Riyria series by Michael J. Sullivan. The books sure look nice lined up on the shelf.


A lot of Night Shade titles came in recently including J.M. McDermott's When We Were Executioners. The more I say the title the more I like it. Say it with me: When We Were Executioners.  Hitchers is Will McIntosh's second standalone novel, which I've already started and quite like as the spirits of the dead hitch a ride with the living.  Last and First Men by Olaf Stapleton is a another after Christmas buy since it has been on my longlist of books classic Sci-Fi books needed in my collection. Royal Street is Suzanne Johnson's debut, which is the start to a New Orleans influenced Urban Fantasy series. New Orleans is one of my favorite places. In fact I have a long weekend planned there in February so I'll think I'll bring it with. Under the Moons of Mars is John Joseph Adams' new all-original anthology of fiction influenced by Edgar Burrough's John Carter/Barsoom. Quite a line up in this one with Garth Nix, Genevieve Valentine, Austin Grossman, Peter S. Beagle, and Joe R. Lansdale just to name a few. Next is Book Prize Winner A.S. Byat's Ragnarok, which uses the basis of the Norse myths of Ragnarok in story form. Very intrigued by this one. Blueprints of the Afterlife by Ryan Boudinot.is another that has caught me by surprise. Check out this part of the description:
It is the Afterlife. The end of the world is a distant, distorted memory called “the Age of F***ed Up Shit.” A sentient glacier has wiped out most of North America. Medical care is supplied by open-source nanotechnology, and human nervous systems can be hacked.
Crazy right? Good thing I like crazy. Next are a couple more debuts from Night Shade who just keep killing it. Enormity by W.G. Marshall tackles modernizing the B-movie theme of someone waking up one day and becoming a colossus. Tooth and Nail by Jennifer Safrey at first sounds a bit cutesy for my taste. A female boxer who turns out to be a tooth fairy, but I just may give it a chance.

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Mad Hatter's Reading Log Vol. 12 (December)

December saw me trying to cram in all the books I've been meaning to read this year. It turned out to be a very good month with hardly any disappointments. And I also managed to read 125 books during the course of the year. This includes so novellas and graphic novels, but not every little thing I read. Still I'm quite happy with that number, but very unsure if I'll even come close to it in 2012. 2012 is setting up to be a very busy year for me personally since I'm trying to sell my house and move along with a lot of travel. Travel does generally mean catching up on reading though, but we'll see. Anyway here is what I read in December.


114.  Await Your Reply by Dan Chaon - This is a story that plays with connections, expectations, and can severely screw with your head. It is undoubtedly beautifully told, but the ending left me wanting. But maybe that is just what Chaon wanted? Recommended.
115.  Never Knew Another by J.M. McDermott - Perspective is key in McDermott's opener to the medieval set Dogsland Trilogy. We view the story from someone with the ability to absorb someone's memories for them to see and experience most of what that person did. The absorber is a Demon Hunter out to destroy those with demon blood. It is very introspective and looks at what it means to be an outsider from many different POVs. McDermott is pushing the boundaries of Fantasy and they are a vision to behold. Never Knew Another is currently free if you've an e-reader and if you are the type looking for something new and unusual in your Fantasy McDermott delivers. Recommended and I'll certainly be reading the sequel When We Were Executioners at some point (out this February).
116.  Eyes to See by Joseph Nassise - Even though Nassise has written a lot of books this was my first of his and it is the start to a new Urban Fantasy series starring a man who blinded himself so he could see the magical spectrum in order to find his missing daughter. All in all a good premise and solid delivery. Nothing too exceptional for the genre, but I'll be interested to see where the series goes from here.


117.  Kultus by Richard Ford - Another I just couldn't get into that will probably be picked up at a later date.
117.  Giant Thief by David Tallerman - A debut that is all about pushing the story forward as a low-life thief takes-off with a giant. This isn't one of those thief with a heart of gold stories. If Easie, the thief, had a heart of gold he would have dug it out and sold it years ago. Recommended for classic Fantasy fans. Be sure to check out my interview with Tallerman.
118.  Alien Contact edited by Marty Halpern - Ranging from first contact and last contact to vacationers visiting an alien's home world and being, typically, obnoxious guests Alien Contact compiles one of the most diverse collections of modern stories concerning the "other." Highly recommended. I would have liked to seen some more classic examples, but there have been many anthologies now decades old that have already done so.
119.  The Bride Wore Black by Simon R. Green - After finishing Alien Contact I had a case of reader indecision, which was quickly cured when the final Nightside book showed up at my door. Despite the repetitiveness being at an all time high for the series, this was a nice farewell to the denizens of the Nightside and John Taylor. But when are we going to get a Razor Eddie novel?


120.  Ficciones by Jorge Luis Borges - A classic collection of Borges best known work, including my personal favorite "The Library of Babel." which has become an iconic work. Nearly every story is a gem showcasing Borges scalpel-assured skills of style, wit, and philosophy. This is a collection I've re-read many times over the years and will do so for many more. Simply a classic that belongs on everyone's shelves.
121.  Abhorsen by Garth Nix - Nix's Abhorsen trilogy is something I've been slowly savoring and considering I read the first Sabriel, last Christmas I thought it appropriate to read the last this Christmas. The world is so well developed, but Nix has an unbelievable knack for developing reader ties with characters you never want to let them go. Highly recommended.
122.  The Tiger's Wife by Tea Obreht - Undoubtedly one of the most beautiful and touching novels I've read this year.  Obreht has a bright, bright future ahead of her.  We travel with a young female doctor in the Balkans coping with the loss of her grandfather. The story switches between the grandfather's past and his granddaughter's search for closure. I'm not sure Magical Realism would be appropriate for the story as those aspects are hardly the point, but the story of the deathless man and tiger's wife definitely give you reason to push forward if the emotional story wasn't enough for you.  Highly recommended.


123.  The Magician King by Lev Grossman - The sequel to one of my favorite books of 2009 is now one of my favorite books of 2011. This time around the Grossman successfully attempts to subvert the quest story (especially Voyage of the Dawn Treader) and does so with verve, aplomb, and a lot of geekdom jokes showcasing just how much the author loves genre. Highly recommended, very much a worthy sequel.
124.*  Hounded by Kevin Hearne - Looking over my reading log I couldn't find this on the list despite knowing I read it so I add it here for completion sake. I certainly liked it well enough to do a interview with the starring character Atticus earlier this year.
125.  Empire State by Adam Christopher - A very interesting yet somewhat uneven debut.  I liked the Noir aspects melding with other genres (Superheros, Sci-Fi, Pocket Universes), and divergent characters created but felt the beginning set things off to a rocky start.  Fuller review likely to come.

Given that my year end awards The Hatties have already been announced it is probably not hard to tell which my favorites of December were, but in case it isn't clear The Magician King, The Tiger's Wife, and Never Knew Another. And if you haven't read Borges yet please go sit in the corner until you've done so. It has been quite a year for reading filled with many long awaited books and so many quality debuts I couldn't even get to them all. And 2012 is off to a good start, but more on that later.

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Cover Unveiled for The Long Earth by Terry Pratchett & Stephen Baxter


It was announced in the summer of 2010 that Terry Pratchett and Stephen Baxter would be teaming up to write at least two novels in a series with the first being titled The Long Earth, which uses the trope of parallel earths. Divergent Earths is a trope I never seem to tire of given we generally get to see so many visions of a slightly altered Earth and how they came to be that way. And you just know Pratchett will bring the humor. One of Pratchett's longtime weaknesses has always been his the Science part of Science Fiction, as is very evident in his first novel Strata so bringing Baxter in to better handle that should certainly make this a smoother ride. From the info that has been released so far the idea for the story is very much Pratchett's and has been in gestation for decades now. The above is the UK cover, which is pretty but doesn't seem like a Pratchett novel.  Both a UK and a US blurb have been released and they are quite different so both are included below.  The Long Earth will be released June19th in the US and the 21st in the UK.

US description:
Larry Lynsey is a recluse. Aggressively protective of his singular solitude, he has searched long, far, and wide to find the perfect isolation. Deep in one of the farthest regions in Long Earth—a series of parallel worlds that become increasingly un-Earthlike with distance—in the region known as the High Meggas, the curmudgeon has found his Eden. He isn’t just the only living person on the planet; he is, in fact, the only person on the closest ten planets. It would take a ridiculously long time to reach him even if anyone tried.

Life for Larry is exactly how he likes it.

Unfortunately, Larry only thinks he’s alone . . .

Hapless travellers Anna Shea and Seven Valiente must have taken a wrong turn at a wrong star somewhere in the back of beyond deep space and have now gotten themselves stranded in the High Meggas. Larry’s High Meggas.

For the likes of the hermetic Larry, three is way too big a crowd, accidental tourists or not. Which means, he’s got to do something about them.

Which means, this being a Terry Pratchett story, hijinks, mishaps, and hilarity will ensue.

Infused with Pratchett’s subtle satire and vibrant, believable world-building and with award-winning author Stephen Baxter’s bold speculative insight, The Long Earth is dazzling feat of skill and imagination sure to enthrall fans old and new.
UK description:
The possibilities are endless (just be careful what you wish for...)

1916: the Western Front, France. Private Percy Blakeney wakes up. He is lying on fresh spring grass. He can hear birdsong, and the wind in the leaves in the trees. Where has the mud, blood and blasted landscape of No man's Land gone?

2015: Madison, Wisconsin. Cop Monica Jansson has returned to the burned-out home of one Willis Linsay, a reclusive and some said mad, others dangerous, scientist. It was arson but, as is often the way, the firemen seem to have caused more damage than the fire itself. Stepping through the wreck of a house, there's no sign of any human remains but on the mantelpiece Monica finds a curious gadget - a box, containing some wiring, a three-way switch and a...potato. It is the prototype of an invention that Linsay called a 'stepper'. An invention he put up on the web for all the world to see, and use, an invention that would to change the way mankind viewed his world Earth for ever. And that's an understatement if ever there was one...

...because the stepper allowed the person using it to step sideways into another America, another Earth, and if you kept on stepping, you kept on entering even more Earths...this is the Long Earth. It's our our Earth but one of chain of parallel worlds, lying side by side each differing from its neighbour by really very little (or actually quite a lot). It's an infinite chain, offering 'steppers' an infinite landscape of infinite possibilities. And the further away you travel, the stranger - and sometimes more dangerous - the Earths get. The sun and moon always shine, the basic laws of physics are the same. However, the chance events which have shaped our particular Earth, such as the dinosaur-killer asteroid impact, might not have happened and things may well have turned out rather differently.

But, until Willis Linsay invented his stepper, only our Earth hosted mankind...or so we thought. Because it turns out there are some people who are natural 'steppers', who don't need his invention and now the great migration has begun...
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TIDBIT | GRRM Interviews Bernard Cornwall


Over at Omnivoracious George R.R. Martin interviews Bernard Cornwall and it is quite a nice interview filled with the wisdom from two authors who have been writing for quite a long time. Here a bit:
GRRM: It has long been my contention that the historical novel and the epic fantasy are sisters under the skin, that the two genres have much in common. My series owes a lot to the work of J.R.R. Tolkien and the other great fantasists who came before me, but I've also read and enjoyed the work of historical novelists. Who were your own influences? Was historical fiction always your great passion? Did you ever read fantasy?

BC: You're right - fantasy and historical novels are twins - and I've never been fond of the label 'fantasy' which is too broad a brush and has a fey quality. It seems to me you write historical novels in an invented world which is grounded in historical reality (if the books are set in the future then 'fantasy' magically becomes sci-fi). So I've been influenced by all three: fantasy, sci-fi and historical novels, though the largest influence has to be C.S. Forester's Hornblower books.
Go check the rest out here.

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INTERVIEW | David Tallerman author of Giant Thief

I've always had a penchant towards thieves in Fantasy. From Robin Hood and my old days playing DnD all the way up to Lynch's Locke Lamora and Hulicks' Drothe, thieves have always come across as great characters because they often fight with themselves about what to do and just happen to get in scrap after scrap. So I was immediately drawn to David Tallerman's very fun debut Giant Thief from Angry Robot in late January. Tallerman has been busily writing short stories for a few years having his work published in Lightspeed,  Bull Spec, and many other places, but it was the first line in Giant Thief that really drew me in and wouldn't let me put the book down.

****

MH: Thanks for joining us today David. To begin can you tell us a little about yourself and your road to becoming an author? You've published quite a bit of short fiction over the last 4 years, but Giant Thief is your debut novel. Did Giant Thief have its origins in any short story in particular?

DT: I'd been talking about wanting to be a writer since I was in my teens, but six or seven years ago it sank in that it had to be a lot more more than talk. I'd spent maybe five years writing a book I knew would never sell (and which no one will ever read!) and I finally realised writing was too important to me to treat that way. I wanted to write stories I liked and cared about, I wanted to work towards a point where doing that was more or less my life, and I finally felt like I was willing to put in the time and effort to make that happen.

I had an actual full-on Stalinist five year plan at the start there, but I don't remember what it actually was, and it changed a lot as things went on. At first I wrote vast numbers of short stories, which was a lot of fun. I tried to keep pushing myself, to be getting a little bit better all the time, or at least learning how to do something I'd never tried before.

There came a point, maybe three years into that, where I began to realise I'd have to have another go at a novel. Giant Thief didn't originate with any one story, but it did come out of not wanting to make the mistakes I'd made with my first attempt at novel writing. I was writing one or two short stories a month, and I didn't want to lose that pace. So it had to be something fast-paced, fun, not too convoluted. Something I could throw myself into and just keep moving with.


MH: Why giants?

DT: You know, I have no idea.

The image it all started with was a guy escaping on a giant ... I don't remember the particular train of thought that took me there, but it came from somewhere and I liked it, on a whole lot of levels. It met the criteria. What's more fast-paced, fun and linear than a chase? Then close on the first idea came the realisation of what kind of a character would think stealing a giant as an escape vehicle was a good idea - and there was the core of Giant Thief.


MH: Giant Thief is told in the first person from the titular thief Easie Damasco. Was there ever a time when the story was told third person?

DT: No, never. I guess that goes back to what I was saying above. I figured, not entirely correctly, that it was harder to tie yourself in knots with a first person narrative. Then again, once Damasco started to take shape it was obvious it had to be his voice doing the telling - because there was no way he'd ever shut up.

MH: Easie definitely has a tongue on him. Darker characters or what is becoming known as gritty, grey, and ambiguous characters have been on the rise in Fantasy the last decade and Easie seems to fit in that somewhere. When you were growing up what characters in Fantasy were you interested in? More of the reluctant born hero types like Aragon? Or someone who wants to do good, but isn't above doing a bit of evil to get their way? Or just an out and out bastard?

DT: With a couple of exceptions, those being Pratchett and Gaiman, I wasn't a big fantasy reader in my youth. It's really only in the last five years that I've been seriously reading fantasy. I guess both Gaiman and Pratchett did leave their fingerprints on Giant Thief, though. They're both terrific writers of protagonists you can't help rooting for despite, or because of, their overwhelming defects as human beings. My instinct with Damasco wasn't so much that he'd be gritty or ambiguous, but that he'd stay true to a few basic traits that were bound to come with the lifestyle he'd been leading. He's a thief. That means he steals stuff and doesn't beat himself up over it. He's used to getting by on his own, and he's got far too big a mouth. I'm okay with any kind of hero, good, bad or indifferent, so long as they have that kind of consistency.

MH: If you met Easie in a bar and he struck up a conversation are you more likely to buy him a drink or slap him for trying to steal your wallet?

DT: I'd buy Easie a drink, I owe him that much. But then I'd get the hell out of there. Even if he didn't make a grab for my wallet, there'd be sure to be trouble close behind him.

MH: Will we get to learn more about Giant culture in Crown Thief? Speaking of which where does the story go from Giant Thief?

DT: Not so much their culture, but we'll certainly see much more of the giants in Crown Thief, and get more of a sense of what makes them tick.

I don't want to say too much plot-wise about Crown Thief, for obvious reasons Suffice to say that it picks up directly where Giant Thief ends, with our heroes (that is, all the main characters who aren't Damasco) quickly realising that everything isn't just going to return to normal, that there are some major pieces left in the wake of the first book's events still to be picked up - in fact, that by trying to do the right thing they may have opened the floodgates to an even bigger threat. In amongst all that, we have Damasco heading off to meet the King, with the Castoval's greatest assassin at his heels ... and you just know that's not going to end well.

MH: Now on to the important stuff. What is your favorite type of hat?

DT: A plain straw hat is fine by me. They never seem to last though. I've had my current one for a couple of years now, which has to be a record.

MH: Besides the release of Giant Thief what are you most looking forward to in 2012?

DT: Why, the release of Crown Thief of course!

No? Okay. Well, I'm hoping to finish the decorating and refurbishment of the house I bought a couple of months ago. That's pretty exciting.

MH: Since you're still early in your career I'm going to throw some good old standard questions at you that every novelist has to answer at some point. First, who is the one author living or dead you'd like to have dinner with?

DT: I'm going to say Terry Pratchett. Asides from the fact that I'm sure he'd be good company, I can't think of any writer, save perhaps King, who's struck such a balance between popular success, critical approval and tending to his own writerly needs. Long after the point where the Discworld should have got tired, long after the point where he ever needed to work again, you can tell Pratchett's still loving what he's doing.

MH: Next what are 3 of your favorite novels ever?

DT: Without giving it too much thought, I'm going to say...

Rogue Male - Geoffrey Household
The War of the Worlds - H G Wells
Through the Looking Glass - Lewis Carroll

MH: Very nice picks. Lastly, if you could live in a Fantasy world, which would it be?

DT: Tough question. Most fantasy worlds are fairly unsafe places to live in, aren't they? I'm going to opt for Vance's Lyonesse; it might not be significantly less dangerous than anywhere else, but at least I'd never be bored.

MH: Thanks for playing along. Besides January's release of Giant Thief is there anything you'd like to mention to close us out?

DT: Well, it would be lovely if a few more people read my blog at http://davidtallerman.blogspot.com. And if anyone happens to be at the UK SFX weekender in February, come say hi at the official Giant Thief book launch.

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NEWS | Chine Miéville Finally Coming to Comics


Only a couple years ago China  Miéville was slated to do a run on Swamp Thing, but with DC's Vertigo imprint folding many of the older characters back into the DC Universe for the New 52 launch including Swamp Thing stopped those plans. I also heard rumors of him doing a Scrap Iron Man story, but nothing ever came of it although China recently released a bit of info on this aborted project. So  Miéville getting a shot at a long-run in comics has been long in coming.  DC finally announced an official series with him called Dial H based off the the old Dial H for Hero comic series from the 60s.

Miéville has been a fan of Dial H for Hero since he was little and without tattoos. He'll work with artist Brian Bolland on the series cover who has worked previously on Judge Dredd, Batman, Doom Patrol, and a whole bunch of other series with Mateus Santoluoco doing the interiors. Santolucco is new to me, but just looking at his portfolio gives you a feel for what is to come. From China's interview with USA Today:
"I cannot believe that I get to just make up superheroes. It's what you did as a kid," Miéville says. "The whole point of Dial is that the roster of capes is changing every single month, often two or three times." He also promises a darker series with horror, sci-fi and lots of psychological ramifications for its dialing protagonist. "In the original run, he's turning into a giant spring coil to foil bank robbers, and I'm like, OK, what if you are a 25-year-old guy and you turn into a superpowered spring coil? That's going to mess with your head."
I certainly think Miéville can pull off an adult version of Ben 10. It will definitely be interesting to see him work in another medium. Miéville's first issue of Dial H should be out in May. So between that and his steampunk Moby Dick YA novel Railsea coming out this year we'll have plenty of Miéville to go around.

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NEWS | Info on the Ray Bradbury Tribute Anthology


I mentioned news of a Ray Bradbury tribute anthology a couple months ago called Live Forever!, which has since been re-tilted to Shadow Show. The title is a reference to Cooger and Dark's Pandemonium Shadow Show, which is the circus from Something Wicked Comes This Way. The cover seen above looks to be the final and judging by the style I'd bet money on it being done by Tom Gauld who also recently did the covers for the Gaiman and Sarrantonio anthology Stories as well as Matthew Hughes' The Damn Busters. Here is the blurb:
Ray Bradbury is a storyteller without peer, a poet of the possible, and, indisputably, one of America’s most beloved authors. In a much-celebrated literary career that has spanned seven decades, he has produced an astonishing body of work. In Shadow Show, editors Sam Weller and Mort Castle have collected short stories from 27 of the most celebrated authors today to honor Ray Bradbury and his contribution to the literary canon.
The revealed list of contributors includes: Margaret Atwood, Neil Gaiman, Joe Hill, Dave Eggers, Harlan Ellison, Alice Hoffman, Dean Koontz, Audrey Niffenegger, David Morrell, Lee Martin, Ramsey Campbell, Robert McCammon, Dan Chaon, Joe Meno, Kelly Link, Jay Bonansinga, Sam Weller, Thomas F. Monteleone, John McNally, Mort Castle, John Maclay, Gary Braunbeck, Bonnie Jo Campbell, Charles Yu, Julia Keller, Bayo Ojikutu, and Jacquelyn Mitchard. The big names that weren't on the previous list I had include Charles Yu and Kelly Link. So you could definitely say I want Shadow Show come its July 17th release date.

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