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INTERVIEWS

Peter Higgins, author of Wolfhound Century

Myke Cole, author of Shadow Ops Series

John Brown John, translator of the Zamonia Novels

Jim C. Hines author of Libriomancer

Nick Harkaway author of Angelmaker (review here)

Martha Wells author of The Cloud Roads

David Tallerman author of Giant Thief

Mazarkis Williams author of The Emperor's Knife

Rob Ziegler author of Seed

Steven Gould author of 7th Sigma

Douglas Hulick author of Among Thieves (review here)

Mark Charan Newton author of Nights of Villjamur (review here)

Kameron Hurley author of God's War (review here)

Brent Weeks author of The Black Prism (review here)

Anthony Huso author of The Last Page (review here)

Brandon Sanderson author of The Way of Kings (review here)

Lou Anders Editor of Pyr Books

Ian Tregillis author of Bitter Seeds (review here)

Sam Sykes author of Tome of the Undergates (review here)

Benjamin Parzybok author of Couch (review here)

Kristine Kathryn Rusch author of Diving Into the Wreck (review here)

Ken Scholes author of Lamentation

Cherie Priest author of Boneshaker (review here)

Lev Grossman author of The Magicians (review here)

Character Interviews

Alexia and Lord Maccon from Gail Carriger's Soulless

Lord Akeldama from Gail Carriger's Soulless

Eva Forge from Tim Akers's The Horns of Ruin

Atticus from Kevin Hearne's Hounded

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My BlogCatalog BlogRank Wikio - Top Blogs - Literature

New Procurements

Due to travel and the hurricane I'm a bit behind with updating. My house is fine, but we were without power for over a week, which definitely put a damper on things technologically speaking though I was complaining losts on twitter as my phone was my only outlet. This batch is from the last few weeks with the first stack from Uncle Hugos or as I call it Sci-Fi Book Nerd Mecca, while I was off on a work trip in Minnesota. I'd love to go back to Hugos to do a lot more damage.


I read the first of David Brin's Uplift trilogy for the first time while in Minnesota so I, of course had to pick up the next volume Startide Rising. The copy of Snodgrass's The Edge of Reason is signed. And after much hemming and hawing along with the the award wins I finally picked up Walton's Among Others. I had been meaning to get The Imago Sequence for awhile now as well. This Book is Full of Spiders is David Wong's sequel to the very enjoyable John Dies at the End. In the next picture is Rapture by Kameron Hurley which I also bought at Hugos though it turns out another copy was waiting for me at home. I already gobbled it up as I couldn't hold back and Hurley closed Nyx's story superbly.


Now on to the review copies. Yep, that is the next Dresden Files, Cold Days, sitting at the top. Given the problems I had with Ghost Story I'm not rushing to this as quickly as I would have in the past, but I will probably read it over my upcoming Thanksgiving break. Fingers crossed that I'll fall in love with it again, but I'm trying not to get my hopes too high.  Priest's The Inexplicables is one that I'll be reading very soon though. The Red Knight is Mile Cameron's debut coming out in January that's being pitched as a gritty Fantasy, so you know I've got to try that out. The Best of Joe Haldeman should be a nice career retrospective collection if I can find the time. This year hasn't been the best for me in regards to reading short fiction except for some novellas. Speaking of novellas, I Travel by Night by Robert McCammon looks like fun what with a vampire adventurer placed in the 19th century. Definitely might try to squeeze that one in.


I received Valente and Hobbs' latest novellas coming from Sub Press next year. Six-Gun Snow White looks especially promising. The white one, which is difficult to read is A Natural History of Dragons by Marie Brennan, which is one of the books I've most been looking forward to for 2012. Still love that cover. Diverse Energies edited by Tobias S. Buckell and Joe Monti contains stories by Paolo Bacigalupi, Ursula K. Le Guin, Ken Liu, and Daniel H. Wilson among many others with a focus on YA appropriate culturally diverse Sci-Fi stories. Swords of Waar is Nathan Long's second Jane Carver book, which I still want to get to. Krampus would be my first Brom book, but it looks like a fun and holiday appropriate one to start with what with Krampus taking his revenge on Santa and all. Death's Apprentice is by K. W. Jeter and Gareth Jefferson Jones, which combines Grimm style fair tales with a noir detective bent.

Quantum Coin is Myers' sequel to Fair Coin, which I never bought, but it is on my long list as I've heard good things. London Eye by Tim Lebbon is the first in his YA trilogy of post-apocalyptic stories featuring mutants with powers of one stripe or another. I've always had a thing for thieves and forgeries so The Art Forger by B. A. Shapiro might find itself in my hands soon.

So quite a pile to wade through... Should be fun doing it.

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Winner of the Earthsea Cycle


The winner of the complete Earthsea cycles is Ben from Atlanta. I hope he or whoever he gives them to will get as much enjoyment out of them as I have.



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INTERVIEW | John Brownjohn on Walter Moers and Translation

Walter Moers' Zamonia novels are some of the most creative humorous Fantasy I have ever read. Yes, even better than some of Terry Pratchett's work. Moers is also one of the biggest authors in Germany, but in the English speaking world he has more of a cult following. To date there have been four Zamonia novels published with the fifth The Labyrinth of Dreaming Books coming out November 8th. I'd recommend on checking out the first book in the series, The 13 1/2 Lives of Captain Blue Bear first or The City of Dreaming Books, not to be confused with the latest Labyrinth. Though all except Labyrinth standalone quite well

Today joining us is a very special guest. I'm use to interviewing authors and editors, but this is a first for me with translator John Brownjohn sitting in the hot seat.


Mad Hatter: You've translated many books of all genres (History, Biography, Fantasy) including the classic The Neverending Story. How did you get involved in translation?

John Brownjohn: In an age when translation has become an academic subject in its own right, I hesitate to admit this after translating the better part of 200 books from German and French, but I came into the trade quite fortuitously. I started life as a classicist and won an open classical scholarship to Oxford, then spent ten years in a commercial job in the City of London. Around halfway through those ten lucrative but uncongenial years, a cousin of mine who happened to be a director of the venerable publishing house of Jonathan Cape said to me, “You write decent English and have a knowledge of German and French, how about trying your hand at translating a book for us on the side?” The book was a juvenile novel for which I earned the princely sum of £70.00. I enjoyed the challenge, Jonathan Cape liked what I’d done, and one thing led to another until I was being offered so much translation work by several publishers that I chucked my City job and have devoted myself to the keyboard ever since. Incidental note: I didn’t translate Michael Ende’s The Neverending Story, though I did do his Momo.

MH: The internet led me astry yet again. How does the translation process work for you? Are you generally in contact with the author? Do you go through multiple drafts? Are you approached by publishers about translating or do you try to pitch them?

JBJ: It varies from author to author. I’m regularly in touch with Walter Moers, for example, but my only contact with the onetime bestselling author Hans Helmut Kirst, sixteen of whose novels I translated including Night of the Generals, was a brief letter from him thanking me for my efforts. (Dead authors can present a problem. I once caught one out in a bad bit of continuity. Being naturally unable to contact him, I corrected it on the assumption that he’d have been grateful!) No, I don’t make multiple drafts. I compose my translations as I go, then print out my drafts and give them a final polish before delivery. I have to read and correct everything in hard copy - can’t assess what I’ve done solely on the screen. As to sources of work, the first move always comes from my publishers. I’ve tried to pitch books but never succeeded.


MH: Were you aware of Walter Moers’s work before you were asked to translate The 13 1/2 Lives of Captain Blue Bear?

JBJ: Yes, but only of his work as a cartoonist.


MH: The Zamonia books are quite wacky and strange. There are literally hundreds of made-up words, names, and anagrams galore. How did you handle it all?

JBJ: Producing English versions of Walter’s made-up names certainly taxes one’s ingenuity. Sometimes I have to diverge completely from the original German. Elsewhere I often draw on the remnants of my classical education and resort to Latinizing bits of them. For instance, the “Living Books” in German became the “Animatomes” in English. As for the anagrams, which are great fun to do, I took Walter’s advice and got out my old Scrabble set, which proved a great help!

MH: Did the illustrations ever come in handy while translating?

JBJ: Yes, they’ve often provided me with an insight into the author’s wealth of imagination.

MH: Will we ever see Moers' Hansel and Gretel novel in English? Also, do you know the status of the next Zamonia book given The Labyrinth of Dreaming Books ends on quite a cliffhanger note?

JBJ: Unfortunately, I don’t think his Hansel and Gretel book lends itself to translation into English. The sequel to The Labyrinth of Dreaming Books is already taking shape..

MH: Is there a book or series you'd love to see translate into English?

JBJ: No, I don’t have anything special in mind.

MH: Why do you think in other languages about half of the published books are translated from English, but the percentage of books translated into English is less than 10%?

JBJ: Sadly, if it’s a toss-up between two books of roughly equal merit, one of them written in English and the other in some foreign language, US and UK publishers will ten to go for the former. This is partly because translation fees represent a not inconsiderable part of the production costs, and it’s possible (I don’t know) that British and American translators are better paid than their European counterparts. I suspect there is also, even now, a hangover from the days when a lot of very poor translations appeared after World War II, often done by European expatriates whose command of idiomatic English was less than adequate. This created a prejudice against translated works in general. My own “philosophy” - though some would disagree - is that a translation should read as if it were an original. After all, readers who are continually brought up short by unidiomatic turns of phrase will soon lay a book aside in disgust.

MH: What projects are you translating at the moment? 

JBJ: I’m taking a few weeks off while awaiting the imminent arrival of another two new German novels by existing authors of mine, Alex Capus (Leon and Louise) and Alain Claude Sulzer (A Perfect Waiter).

MH: You're certainly keeping busy. Thank you for all your time. Is there anything you'd like to say to close us out?

JBJ: Yes, I’d like to thank all the US publishers and reviewers who never fail to mention the names and appreciate the efforts of those who render foreign literature accessible, i.e. translators. The same cannot, alas, be said of UK reviewers and literary editors, whose neglect of us is shameful.

MH: Thanks for making it possible to read so many foreign works.


You can catch-up with the whole Walter Moers Blog Tour at these fine establishments:
Thursday, Nov 1 - Introduction to the Blog Tour - BookSexy Review
Friday, Nov 2 - Dark Wolf's Fantasy Reviews will post an Overview/Presentation of Moers’ Books
Saturday, Nov 3 - TNBBC will post a review of The City of Dreaming Books
Sunday, Nov 4 - BookSexy Review will post a Travel/Tour Guide to Bookholm
Monday, Nov 5 - SJ @ Book Snobbery will post a fan letter to Optimus Yarnspinner
Tuesday, Nov 6 - Anastasia at Birdbrain(ed) Book Blog will post a review of The Labyrinth of Dreaming Books
Thursday, Nov 8 - Theresa will pot the giveaway at the Winged Elephant blog (Overlook's Blog)

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On Retiring One’s Bloody Beloved Characters by Kameron Hurley

On Retiring One’s Bloody Beloved Characters

by Kameron Hurley, author of the Bel Dame Apocrypha


I’ve written all sorts of characters over the years, but Nyxnissa so Dasheem and her band of hired rogues are the first I took across a full published trilogy. Nyx herself was an amalgamation of some of my favorite trash-talking, whiskey-slinging, 80’s apocalypse heroes. I first conceived of her after playing the part of Banquo in MacBeth in my high school drama class, which my theater teacher had set in a post-apocalyptic gender-swapping England that let me carry a whip and a sword and walk the stage covered in mint-flavored fake blood and chocolate sauce every night.

Gender-swapping all those bloody feuding lords was a lot of fun, and I started to wonder if I could write a heroine as scary as some of the ones we brought to life on stage.

Hard-ass Banquo and her fellow bloody women feudal lords became Nalah, the desert weary heroine in a short story I wrote at Clarion in 2000. I tasked Nalah with murdering her son, Eshe, at the whim of the foreign lord she served. There was blood and sand and matriarchies… but it wasn’t enough to carry a story. It needed something more.

That was really the trouble with my trash-talking apocalypse heroine – I just didn’t have a really good understanding of who she was, because I didn’t have a good handle on the type of world that would produce her. It wasn't until 2004 or 2005, when I scribbled down the line, “Nyx sold her womb somewhere between Punjai and Faleen, on the edge of the desert,” that I realized I was onto something.

What kind of person sells their womb? Why? What kind of world is that?

Writing God’s War was a process of discovery for me. The world and the people in it came into clearer focus as I wrote. It wasn’t until I’d nearly finished the first draft of God’s War that I realized I wasn’t writing about a particularly nice or heroic or honorable person. Putting Nyx into the world I did, and having her survive (if not thrive) in it meant I was actually writing about a borderline psychopath. But she was a relentless, single-minded sort of psychopath who cared just enough about a few things to keep her interesting, and I found myself sympathizing with her despite myself.

Who would each of us be, if we came of age in the same world, with the same experiences? Would you act any better, and live to tell about it?

Only Nyx would say something like, “Can we fuck about it later?” and “The cunt is not the heart.” Her dialogue always flowed fast and sharp when I wrote it, and often surprised me with its brutal honestly and needling malice. She was emotionally stunted and abusive. But she was very good at killing, and never pretended to be anything she was not.

There are many characters I got to know well while writing the Bel Dame Apocrypha – Rhys the terrible magician with the conflicted moral compass; Khos the big-hearted puppy with his desperate desire for a family; self-hating Inaya and poor little lost Eshe… but as I wrote the concluding scenes of Rapture, the final book in the trilogy, I knew it was whiskey-drinking, trash-talking, self-destructive Nyx I was going to miss the most. There was just nobody quite like her, and try as I might, I couldn’t think of another world that would spawn somebody exactly like her.

This was her world, her story, and it was done. And as freeing as it felt to have her take her last drink… it was a bittersweet sort of drink, because I knew she’d never take another one. Not with me, at any rate.

I hope to return to the world of Umayma in the future, but to be honest – it’s not so much Nyx’s world anymore. That’s the reality of writing a fantasy world that’s dynamic and not static. The world that created Nyx has changed during the decades in which the books take place. The world has moved on. So has Nyx. Now it’s somebody else’s world, and I look forward to telling their stories as passionately and crazily as I told hers.

But it won’t ever be quite the same.

***

Kameron Hurley is an award-winning, Nebula nominated writer currently hacking out a living as a marketing and advertising writer. She’s lived in Fairbanks, Alaska; Durban, South Africa; and Chicago, but grew up in and around Washington State. Her personal and professional exploits have taken her all around the world. She spent much of her roaring 20′s traveling, pretending to learn how to box, and trying not to die spectacularly. Hurley is author of the of the Bel Dame Apocrypha consisting of God's War, Infidel, and the just released Rapture.

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FREE FICTION | Kameron Hurley's God's War and Infidel


In celebration (and promotion of course) of the final novel in Kameron Hurley's genre bending and genre redefining Bel Dame Apocrypha trilogy, Rapture, Night Shade Books is giving away eBook versions of the first two novels God's War and Infidel. So now is your chance to get in with this multi-award nominated series. I thought quite highly of the first two books as well and just finished Rapture myself and it certainly closes things on a high bloody note.

Don't believe the hype? Find out FREE for yourself. Just send an email to Beldamegiveaway@nightshadebooks.com. Night Shade will return fire with an email giving you the info you need to download the files for God's War and Infidel. Both Epub and Mobi files are available.

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Cover Unveiled for You by Austin Grossman

A few years back Austin Grossman's Soon I Will Be Invincible flipped the superhero story giving it from the point of view of the villain. You, Grossman's latest book looks to give us the videogame experience from the side of the programmers. The cover itself doesn't do much for me as the color is a bit bland, but it does give a sense of the content at least. Here's the blurb:
A novel of mystery, videogames, and the people who create them, by the bestselling author of Soon I Will Be Invincible, Austin Grossman.

When Russell joins Black Arts games, the hottest studio in the game industry, he meets an eccentric crew of nerds hacking the frontiers of both technology and entertainment. But when their revolutionary next-gen game is threatened by a mysterious software glitch, Russell finds himself in a race to save both his job and the people he has grown to care about.

The bug is the first clue in a mystery leading back twenty years through real and virtual worlds, corporate boardrooms and high school computer camp, to a secret that changed a friendship and the history of gaming. YOU is a thrilling, hilarious, authentic portrait of the world of professional game makers; and the story of how learning to play can save your life.
Could this be Snow Crash with a funny angle? I sure hope so. You will be out March 26th, 2013. Mark that another as one to watch for next year.

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Me in the Aether


No, not that kind of aether. I'd probably not be able to type had I been around that. I'm out there in the Internet aether being interviewed by Mieneke over at A Fantastical Librarian. In it we chat bookshelves, rating, and negative reviews. Enjoy my nattering!

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Giveaway for the complete Earthsea Cycle by Ursula K. LeGuin


To celebrate the re-release of Ursula K. LeGuin's Earthsea books with an all new matching looks Houghton Mifflin has given one of you a chance to get the set for free. I can't overstate enough how much of an effect these books had on me growing up and I definitely found it confusing that it was called a trilogy even though there were 4 books and later a fifth plus a short story collection placed in the world. The new look would have certainly caught my 12-year-old eye.

To enter the giveaway email madhatterreview (AT) gmail (dot) com with your full name and snail mail address in the body and "EARTHSEA" in the subject line. One submission per person so multiple entries will get you disqualified. The deadline is midnight November 1st at 11:59 PM. I'll announce the winners on the following day or as soon as I remember. This contest is open to the US only. The winner will be selected via random number generator per usual. These will ship out sooner after the contest so if you have a young reader in your life it could be the perfect holiday gift.



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Cover Unveiled for The Tyrant's Law by Daniel Abraham


Daniel Abraham's The Dagger and the Coin has become one of the most solid Fantasy series over the last 2 years and the covers so far while being quite nice in a traditional yet modern sort of way have so far gone the weapon route for art, but this time for the third book, The Tyrant's Law, Orbit is treating us to some flaming monsters! Magic has been part of the books though not the focus, but stakes certainly seem to be rising in that area. Here's the blurb, but those who are behind in the series may just want to keep it to gazing at the cover:
The great war cannot be stopped.

The tyrant Geder Palliako begins a conquest aimed at bringing peace to the world, though his resources are stretched too thin. When things go poorly, he finds a convenient target among the thirteen races and sparks a genocide.

Clara Kalliam, freed by having fallen from grace, remakes herself as a "loyal traitor" and starts building an underground resistance movement that seeks to undermine Geder through those closest to him.

Cithrin bel Sarcour is apprenticing in a city that's taken over by Antea, and uses her status as Geder's one-time lover to cover up an underground railroad smuggling refugees to safety.

And Marcus Wester and Master Kit race against time and Geder Palliako's soldiers in an attempt to awaken a force that could change the fate of the world.

The Tyrant's War will be out in May and like the first two books will be an immediate get for me. Also, Abraham along with his co-conspirator Ty Frank will also be writing a Han Solo POV novel in the Star Wars universe under their James S.A. Corey name though no release date has been announced. This also reminds me I have to get to Caliban's War soon. Maybe it will be my Thanksgiving vacation treat...

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New Procurements

This past weekend I went through my stacks and donated more than 70 books to the local library. But does the fact that I am always running out of space stop books from showing up? Not in the Hatter household. Starting this weeks' newest additions is the slipcase version of American Science Fiction: Nine Classic Novels of the 1950s edited by Gary K. Wolfe that I pre-ordered months ago. It is a beautiful package all around. Even with bound-in ribbon bookmarks!


Of the nine novels I only own the Bester. Here's the content's:
Frederik Pohl & C. M. Kornbluth / The Space Merchants
Theodore Sturgeon / More Than Human
Leigh Brackett / The Long Tomorrow
Richard Matheson / The Shrinking Man
Robert Heinlein / Double Star
Alfred Bester / The Stars My Destination
James Blish / A Case of Conscience
Algis Budrys / Who?
Fritz Leiber / The Big Time


I also finally bought Caliban's War as I feel a Sci-Fi kick coming on. I missed out on Libba Bray's The Diviners at Book Expo this year despite several attempts at nabbing a copy so when I finally spotted it at a bookstore I had to buy it.


In the review copy department quite a few interesting reads caught my eye. Topping is the next Hap and Leonard novella, Dead Aim, from Joe R. Lansdale's. A couple debuts I've had my eye on showed up: Max Gladstone's Legal Magic Thriller Three Parts Dead and Christopher Bennett's Only Superhuman, featuring enhanced humans in space. Lockhart's second Lovecraft inspired anthology The Book of Cthulhu II looks just as good as the first, which I still have to finish. The Tainted City is Country Shafer's sequel to The Whitefire Crossing, which I missed last year, but I just nabbed it for free from Amazon. Grab it now as it is only free for a short time. Another debut, Ironskin by Tina Connolly closes things out. This might be one my wife will try at first as it is influenced by Jane Eyre.

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