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INTERVIEWS

Peter Higgins, author of Wolfhound Century

Myke Cole, author of Shadow Ops Series

John Brown John, translator of the Zamonia Novels

Jim C. Hines author of Libriomancer

Nick Harkaway author of Angelmaker (review here)

Martha Wells author of The Cloud Roads

David Tallerman author of Giant Thief

Mazarkis Williams author of The Emperor's Knife

Rob Ziegler author of Seed

Steven Gould author of 7th Sigma

Douglas Hulick author of Among Thieves (review here)

Mark Charan Newton author of Nights of Villjamur (review here)

Kameron Hurley author of God's War (review here)

Brent Weeks author of The Black Prism (review here)

Anthony Huso author of The Last Page (review here)

Brandon Sanderson author of The Way of Kings (review here)

Lou Anders Editor of Pyr Books

Ian Tregillis author of Bitter Seeds (review here)

Sam Sykes author of Tome of the Undergates (review here)

Benjamin Parzybok author of Couch (review here)

Kristine Kathryn Rusch author of Diving Into the Wreck (review here)

Ken Scholes author of Lamentation

Cherie Priest author of Boneshaker (review here)

Lev Grossman author of The Magicians (review here)

Character Interviews

Alexia and Lord Maccon from Gail Carriger's Soulless

Lord Akeldama from Gail Carriger's Soulless

Eva Forge from Tim Akers's The Horns of Ruin

Atticus from Kevin Hearne's Hounded

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Showing posts with label Angry Robot. Show all posts
Showing posts with label Angry Robot. Show all posts

Cover Unveiled for The Mad Scientist's Daughter by Cassandra Rose Clarke


I admit it. I have a thing for Mad Scientists of all stripes. The just slightly crazy ones like Doc Brown where they are a bit silly and barely realize how revolutionary their ideas are to more recent creations like Ian Tregillis's Dr. von Westarp who is the epitome of all the evils that science can achieve. Which brings me to this week's new cover art: The Mad Scientist's Daughter by Cassandra Rose Clarke, which will be her debut adult novel coming from Angry Robot that was found as part of their Open Door submission period. Although, the scientist in question isn't a the center of things. Here's the blurb:
There’s never been anyone - or anything - quite like Finn.

He looks, and acts human, though he has no desire to be. He was programmed to assist his owners, and performs his duties to perfection. A billion-dollar construct, his primary task is to tutor Cat.

When the government grants rights to the ever-increasing robot population, however, Finn struggles to find his place in the world.
One of the things I like about Angry Robot's style of covers is that there isn't one. They try to give each a very unique look to their books. I may not be a fan of all the styles, but more times then not it is something that is very fitting for the story. With The Mad Scientist's Daughter they nailed it beautifully.

The Mad Scientist's Daughter escapes into the world in February right around the time another Mad Scientist related project is being unleashed.

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Cover Unveiled for The Mad Scientist's Guide to World Domination

Cover Unveiled for vN by Madeline Ashby


Sometimes you see a cover and gloss over and other times a quick glace turns into a long stare. vN is decidedly in the latter camp as the cover is filled with all sorts of bits that intrigue. Angry Robot certainly outdid themselves with this one.  vN is Madeline Ashby debut and the first in at least a two book series formerly called the Von Neumann Sisters Sequence, but henceforth known as the Machine Dynasty series. Here's the blurb:
Amy Peterson is a self-replicating humanoid robot.

For the past five years, she has been grown slowly as part of a mixed organic/synthetic family. She knows very little about her android mother’s past, so when her grandmother arrives and attacks her mother, little Amy wastes no time: she eats her alive.

Now she carries her malfunctioning granny as a partition on her memory drive, and she’s learning impossible things about her clade’s history – like the fact that the failsafe that stops all robots from harming humans has failed… Which means that everyone wants a piece of her, some to use her as a weapon, others to destroy her.
vN is scheduled for an August release and it is one I'll be watching for.

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INTERVIEW | David Tallerman author of Giant Thief
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Cover Unveiled for Daniel H. Wilson's Amped

INTERVIEW | David Tallerman author of Giant Thief

I've always had a penchant towards thieves in Fantasy. From Robin Hood and my old days playing DnD all the way up to Lynch's Locke Lamora and Hulicks' Drothe, thieves have always come across as great characters because they often fight with themselves about what to do and just happen to get in scrap after scrap. So I was immediately drawn to David Tallerman's very fun debut Giant Thief from Angry Robot in late January. Tallerman has been busily writing short stories for a few years having his work published in Lightspeed,  Bull Spec, and many other places, but it was the first line in Giant Thief that really drew me in and wouldn't let me put the book down.

****

MH: Thanks for joining us today David. To begin can you tell us a little about yourself and your road to becoming an author? You've published quite a bit of short fiction over the last 4 years, but Giant Thief is your debut novel. Did Giant Thief have its origins in any short story in particular?

DT: I'd been talking about wanting to be a writer since I was in my teens, but six or seven years ago it sank in that it had to be a lot more more than talk. I'd spent maybe five years writing a book I knew would never sell (and which no one will ever read!) and I finally realised writing was too important to me to treat that way. I wanted to write stories I liked and cared about, I wanted to work towards a point where doing that was more or less my life, and I finally felt like I was willing to put in the time and effort to make that happen.

I had an actual full-on Stalinist five year plan at the start there, but I don't remember what it actually was, and it changed a lot as things went on. At first I wrote vast numbers of short stories, which was a lot of fun. I tried to keep pushing myself, to be getting a little bit better all the time, or at least learning how to do something I'd never tried before.

There came a point, maybe three years into that, where I began to realise I'd have to have another go at a novel. Giant Thief didn't originate with any one story, but it did come out of not wanting to make the mistakes I'd made with my first attempt at novel writing. I was writing one or two short stories a month, and I didn't want to lose that pace. So it had to be something fast-paced, fun, not too convoluted. Something I could throw myself into and just keep moving with.


MH: Why giants?

DT: You know, I have no idea.

The image it all started with was a guy escaping on a giant ... I don't remember the particular train of thought that took me there, but it came from somewhere and I liked it, on a whole lot of levels. It met the criteria. What's more fast-paced, fun and linear than a chase? Then close on the first idea came the realisation of what kind of a character would think stealing a giant as an escape vehicle was a good idea - and there was the core of Giant Thief.


MH: Giant Thief is told in the first person from the titular thief Easie Damasco. Was there ever a time when the story was told third person?

DT: No, never. I guess that goes back to what I was saying above. I figured, not entirely correctly, that it was harder to tie yourself in knots with a first person narrative. Then again, once Damasco started to take shape it was obvious it had to be his voice doing the telling - because there was no way he'd ever shut up.

MH: Easie definitely has a tongue on him. Darker characters or what is becoming known as gritty, grey, and ambiguous characters have been on the rise in Fantasy the last decade and Easie seems to fit in that somewhere. When you were growing up what characters in Fantasy were you interested in? More of the reluctant born hero types like Aragon? Or someone who wants to do good, but isn't above doing a bit of evil to get their way? Or just an out and out bastard?

DT: With a couple of exceptions, those being Pratchett and Gaiman, I wasn't a big fantasy reader in my youth. It's really only in the last five years that I've been seriously reading fantasy. I guess both Gaiman and Pratchett did leave their fingerprints on Giant Thief, though. They're both terrific writers of protagonists you can't help rooting for despite, or because of, their overwhelming defects as human beings. My instinct with Damasco wasn't so much that he'd be gritty or ambiguous, but that he'd stay true to a few basic traits that were bound to come with the lifestyle he'd been leading. He's a thief. That means he steals stuff and doesn't beat himself up over it. He's used to getting by on his own, and he's got far too big a mouth. I'm okay with any kind of hero, good, bad or indifferent, so long as they have that kind of consistency.

MH: If you met Easie in a bar and he struck up a conversation are you more likely to buy him a drink or slap him for trying to steal your wallet?

DT: I'd buy Easie a drink, I owe him that much. But then I'd get the hell out of there. Even if he didn't make a grab for my wallet, there'd be sure to be trouble close behind him.

MH: Will we get to learn more about Giant culture in Crown Thief? Speaking of which where does the story go from Giant Thief?

DT: Not so much their culture, but we'll certainly see much more of the giants in Crown Thief, and get more of a sense of what makes them tick.

I don't want to say too much plot-wise about Crown Thief, for obvious reasons Suffice to say that it picks up directly where Giant Thief ends, with our heroes (that is, all the main characters who aren't Damasco) quickly realising that everything isn't just going to return to normal, that there are some major pieces left in the wake of the first book's events still to be picked up - in fact, that by trying to do the right thing they may have opened the floodgates to an even bigger threat. In amongst all that, we have Damasco heading off to meet the King, with the Castoval's greatest assassin at his heels ... and you just know that's not going to end well.

MH: Now on to the important stuff. What is your favorite type of hat?

DT: A plain straw hat is fine by me. They never seem to last though. I've had my current one for a couple of years now, which has to be a record.

MH: Besides the release of Giant Thief what are you most looking forward to in 2012?

DT: Why, the release of Crown Thief of course!

No? Okay. Well, I'm hoping to finish the decorating and refurbishment of the house I bought a couple of months ago. That's pretty exciting.

MH: Since you're still early in your career I'm going to throw some good old standard questions at you that every novelist has to answer at some point. First, who is the one author living or dead you'd like to have dinner with?

DT: I'm going to say Terry Pratchett. Asides from the fact that I'm sure he'd be good company, I can't think of any writer, save perhaps King, who's struck such a balance between popular success, critical approval and tending to his own writerly needs. Long after the point where the Discworld should have got tired, long after the point where he ever needed to work again, you can tell Pratchett's still loving what he's doing.

MH: Next what are 3 of your favorite novels ever?

DT: Without giving it too much thought, I'm going to say...

Rogue Male - Geoffrey Household
The War of the Worlds - H G Wells
Through the Looking Glass - Lewis Carroll

MH: Very nice picks. Lastly, if you could live in a Fantasy world, which would it be?

DT: Tough question. Most fantasy worlds are fairly unsafe places to live in, aren't they? I'm going to opt for Vance's Lyonesse; it might not be significantly less dangerous than anywhere else, but at least I'd never be bored.

MH: Thanks for playing along. Besides January's release of Giant Thief is there anything you'd like to mention to close us out?

DT: Well, it would be lovely if a few more people read my blog at http://davidtallerman.blogspot.com. And if anyone happens to be at the UK SFX weekender in February, come say hi at the official Giant Thief book launch.

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Cover Unveiled for Empire State by Adam Christopher

Art by Will Staehle
Empire State is Adam Christopher's debut novel coming from Angry Robot, which is part of a two book deal for two Superhero influenced novels. The art for Empire State certainly seems fitting with its art deco style given the story is placed in 1930 America. Very Batman and original Sandman-esque. Here is the official blurb, which is short, but traditional for Angry Robot with their should be patented categories:
It was the last great science hero fight, but the energy blast ripped a hole in reality, and birthed the Empire State - a young, twisted parallel prohibition-era New York.

When the rift starts to close, both worlds are threatened, and both must fight for the right to exist.

File Under: Science Fiction [ Pocket Universe | Heroes or Villains | Speak Easy | Loyalties Divided ]
In an interview conducted by Amanda from Floor to Ceiling Books the author described the book a bit more indepth:
The first book is called Empire State, and it’s sort of a science fiction-detective-noir. Private detective Rad Bradbury, who lives in this dreary, fog-bound city called the Empire State, is called to investigate a gruesome murder, only to find himself being chased not only by a superhero who is supposed to be dead, but by a couple of masked agents who seem to know an awful lot about him. His investigations reveal an alarming secret about the Empire State and its connection with another place called New York, and he gets caught up in a conspiracy that threatens both worlds.
Empire State will hit the shelves at the end of December in the States and the first week of January in the UK.  Christopher looks to be an author to watch if you're a fan of Superheros as he has a standalone sequel titled Seven Wonders that will be out in the latter half of 2012.

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When Covers Gets Changed It is Usually a Good Thing

One Sci-Fi debut that has been on my radar is Guy Haley's Reality 36, which is the first in the Richards and Klein Case series. The duo is supposed to be a futuristic team ala Sherlock Holmes and Watson. Richards is the Holmes-like AI who jumps around robot bodies with his partner the muscle bound cyborg Klein bringing, well obviously, the muscle. When I first heard about the series it interested me since I enjoy Sherlock stories even in pastiche form. And then I saw the cover and lost a bit of interest due to the muscle head on the cover.

Original Version
Flash forward a couple month to now.  I still kept the book on my watch list because sometimes it is best to look past the cover and lo and behold Angry Robot has switched up the cover design. Apparently, I wasn't the only one who didn't care for that particular version. Still present is the nicely rendered Richards.

Version 2.0
This version again piqued my interest. The design for both is by Richard Jones. Reality 36 will be released August in the UK and September in the US. The sequel currently titled Omega Point should be out sometime next year. Here is the short blurb for Reality 36:
SOMETHING IS AMISS IN THE RENEGADE DIGITAL REALM OF REALITY 36.

Richards - a Level 5 AI with a PI fetish - and his partner, a decommissioned German military cyborg, are on the trail of a murderer, but the killer has hidden inside an artificial reality. Richards and Klein must stop him before he becomes a god - for the good of all the realms.

File Under: Science Fiction [ Great Firewall | 'Net Profit | Remurder | Don't Upload! ]
Again let me point out how cool the category tag/descriptions Angry Robot uses. Haley is also hard a work on a novel called Baneblade for Black Library and Champion of Mars for Solaris that should see the light in 2012. So you can certainly say he has been keeping himself busy since the demise of the much loved Death Ray magazine, which he edited.

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Exclusive | Cover Unveiled for Camera Obscura by Lavie Tidhar

Art by David Frankland
In honor of Steampunk Month Angry Robot was very kind enough to allow me to be the first to show off the cover to Camera Obscura by Lavie Tidhar, which is the second Bookman novel.  The art follows its predecessor The Bookman both in style and art which effuse a sense of adventure and a comedic side that is very Lavie.  I quite like the coloring and the ferris wheel of doom.  The Bookman is now available in the US and UK while Camera Obscura will be releases in the US next May.


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REVIEW | The Bookman by Lavie Tidhar (Angry Robot)

Lavie Tidhar has been making quite a name for himself the last few years as one of the most original voices in the short story game garnering placements in many anthologies including a couples year's best collections. The Bookman is a bit of a departure for Tidhar as he generally goes for something a bit edgier and weirder than Steampunk. Don't get me wrong there is still plenty of weird going on and The Bookman is probably the most out there Steampunk novel I've yet read. Tidhar has thrown in everything from dissident robots, Karl Marx, a Lizard ruling class, Jules Verne, giant mushrooms, whale songs, and exploding books into the fray. Even amidst the strangeness, The Bookman feels like Tidhar's love letter to K.W. Jeter, Alan Moore, and all those who came before him.

One of the fascinating aspects of Steampunk is how authors alter the timeline and introduce historical characters, which The Bookman has in spades. The story starts off a bit sedately, but quickly moves into something all action oriented with nary a slow spot. The world building is immense as Tidhar has warped history into something altogether wonderful and exciting, which also shows the authors great love for the written word and the power it can convey.

This is a world that veered off course hundreds of years ago with the discovery of a race sentient Lizards called Les Lézards, who upon learning of humanity's great empires summarily took over the biggest, which was of course Britain. Orphan is the all too aptly named protagonist who I immediately fell in love with despite his total lack of forethought and insight into his situation and personal history. So many things are foreshadowed yet Orphan never seems to realize any of it or even try to figure it out on his own. Still Orphan is an affable fellow who is surrounded by a very intriguing cast of people. All of whom are not necessarily human.  After losing someone close Orphan makes it his goal to get to the bottom of who the Bookman is, what he is after, and if he can returned his beloved to him.  The answers to all of these leads Orphan deeper and deeper into the world's political center stage.

The Bookman is very much a setup novel, but what a fun setup it is. Dozens of twists, turns, and revelations await that you that kept me turning the pages. I give The Bookman 7 out of 10 hats. Tidhar only gives you glimpses of most characters and with so much hinted at the next book in this trilogy will be must.  The second book in the trilogy is titled Camera Obscura which will released in November in the UK with the US date still to be determined.


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NEWS | Angry Robot to Reissue K.W. Jeter's Steampunk Classics

NEWS | Angry Robot to Reissue K.W. Jeter's Steampunk Classics


A few months ago I sent out this twitter:
I wish a publisher would reprint some Steampunk classics like Newman's Anno Dracula and KW Jeter's Infernal Devices.
It just so happened that Marty Halpern a freelance Editor of some very fine SFF answered me back as he knew Jeter. At the time Jeter said he wanted to keep the rights.  I like to think my little note may have inspired him to seek republication as I received this wonderful press release from Angry Robot today:
The Father of Steampunk Signs With Angry Robot

KW Jeter coined the term Steampunk, but unbelievably his classic novels Infernal Devices and Morlock Night have been out of print since the early 1980s. Angry Robot are delighted to announce that we are bringing them back to a new generation of readers in paperback, audio and eBook formats.

Infernal Devices tells the story of George – a Victorian watchmaker who has inherited his father’s shop, though not his talent. A tale of time travel, music and sexual intrigue, Infernal Devices is a true classic.

Morlock Night, meanwhile, is a wild sequel to Wells’ The Time Machine – having acquired a device for themselves, the brutish Morlocks return to invade sleepy old England…

So, don your brass goggles, wind your mechanisms and sit back with a couple of true classics from a steam-driven Angry Robot.
This is indeed splendid news. It is great to see original examples of a sub-genre movement in print so people can read where we've have come from.  And from what I know both are enjoyable reads.  I myself just tracked down an old copy of Infernal Devices after a long search.


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Win a Copy of Lauren Beukes's Moxyland



I have one galley copy of Moxyland by Lauren Beukes up from grabs.  This is a rare chance to get a book which won't be out in the US until May.  I received this copy last year and it just wasn't for me after all was said and done.  But I want to give someone else a chance to read this cyberpunk tale who may love the book as a few others have.  Here is the short description:

Moxyland is an ultra-smart thriller about technological progress, and the freedoms it removes. In the near future, four hip young things live in a world where your online identity is at least as important as your physical one. Getting disconnected is a punishment worse than imprisonment, but someone’s got to stand up to government inc., whatever the cost.

Send an email to madhatterreview (AT) gmail (dot) com with your full name and snail mail address and "MOXY" in the subject line to enter the contest. The deadline is midnight January 31st. I'll announce the winner on the following day. This contest is open to the United States and Canada only. If you send multiple entries you will be disqualified from the contest.


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GUEST POST | Lavie Tidhar author of The Bookman

Recently I've been mulling over a few new features for Mad Hatter's Bookshelf and one thing kept coming to mind. Everyone always asks what is your favorite book? Or the book that made you love reading? But what about all those books that were just plain strange? Basically, what is weirdest thing you've ever read?

So with that in mind I sent this question on to a few authors and one of the first to respond was Lavie Tidhar author of the recently released Steampunk adventure The Bookman from Angry Robot. Most of the responses were a paragraph or two, but Lavie had so much to say I thought it best to give him his own spot. Look for further posts on this question in the near future. Some incredible responses are in store from a wide swath of authors.


What is the weirdest book you've ever read?

by Lavie Tidhar

Luna: Gan He’eden Ha’geneti (Luna: The Genetic Paradise) by Ram Moav (1985)

I first came across Luna in the school library, and to my horror that must have been almost twenty years ago. It stood out, being one of the only—if not the only—titles on the science fiction shelf not to be a translation from the English. It was—almost miraculously, it seemed—written by an Israeli writer.

And what a writer!

Luna is, to a large extent, the last will and testament of its author, the Israeli geneticist Ram Moav. Like the unnamed narrator of his novel, he was dying of a terminal illness—he passed away shortly after completing the novel. His illness, and the narrator’s, inform the novel on a deep level—

But what is it about?

Luna’s narrator is a disillusioned scientist who, while slowly dying, is granted visions of the future by means of “The Camera”, a device that allows him (and us) to explore a future colony on the moon, a utopian place founded on extreme ideas of eugenics. Luna’s story is split in two: one follows the life story of the narrator, while the other follows a group of new immigrants to the lunar colony. They stand in marked contrast to one another. The scientist’s life is that of a modern Candide. Having survived the Holocaust as a child, he arrives in Israel only to be shunned and tormented by the “Sabras”, the native-born children. Growing up, he continues to suffer. His wife leaves him (after telling him he had never sexually satisfied her), his boss steals credit in his life’s work—until he is forced to conclude that:
my entire sorry life-story in one chart of disappointments and hurts caused by the bad acts of people. All those coalesced to an understanding, that there is no hope for the current state of man. He is bad at the core and must be replaced. This is the sum of my personal experience, and it is but a small example of the general state.
In one of the most powerful moments in the book, the narrator describes arriving in Israel as a child, after the Holocaust:
My first trauma was the Nazi Holocaust. It filled my entire being as a small child. Bad people, very bad people. An entire nation of bad people united to kill my father, to chase my mother and me, with nothing, to a terrible country where all the children are bad, and all they do, all the days, was to pick on me and hurt me, the little Yekke. [...]

Understand, Barnie, to the Sabras, to the children of the Israel of then, the European Holocaust was something distant, not a great wound of the psyche. Their childhood memories are of nostalgia to the beautiful days of the small Eretz Israel, beautiful, good, pioneering, idealistic. My childhood, in that same Eretz Israel, was one of suffering. A second soul-destroying trauma. A second proof for the evil of man. Adult Nazis in Germany, Jewish children in Israel—they were the same.

Then comes the Camera. With the aid of this mysterious device the narrator is able to glimpse a better, future world. Luna. A multi-cultural, multi-ethnic moon colony founded on a quest to create a Homo Moralis, a moral human. Exploring that new world forms the core of the novel.

And what a strange world it is!

It would be pointless to going into too many details of the new society. In brief, what Moav proposes is the establishment of a society along the lines of selective breeding, a complex structure dictating how many children—and with whom—anyone can have, based on their “humanity index”, a combination of IQ, artistic talent, and social-moral behaviour, with the focus on moral quality. Inherent in this scheme is Moav’s conviction that moral behaviour has a genetic basis, and can be passed on from parent to child. Computers help the selection process. There is a deep conviction behind Moav’s “genetic utopia” that humanity as it stands is inherently bad, but Luna is nevertheless deeply ambiguous in its promotion of eugenics, not dissimilar in nature to the scientific theories of the Nazis. The group of new immigrants, led by Luna-born Vasil as their guide, is composed of an Indian Woman, an Afro-American [sic] Man, a Pygmy family, a Chinese Man, a Russian Woman, and Gil and Cynthia Goldman—an Israeli professor and his Hawaiian wife, the only two of the group to actually have names, and whose quest to find relatives on Luna leads to the discovery of a wide family also related to Moav’s first novel,Zirmat Chachamim (“Genes for Geniuses, Inc.”, 1982). Genes for Geniuses—another deeply troubling novel—concerns the plan of an Israeli geneticist and an African dictator to create a new breed of Jewish-African “supermen”—combining, if I recall correctly, the African “physical prowess” with Jewish “brains.” I wish I was making that up!

In fact, here is another one of the strange, uncomfortable moments of the novel:

“New Africa was founded eight years ago. The majority of founders are what is called “Afro-Americans.” Amongst them there are also Africans, racially-pure blacks, who came straight from Africa, but they are few. We still don’t have many Africans in Luna. You...” his smiling gaze centres on the Pygmies: “you’re an important addition... the purpose of the founders was to preserve in a living way the positive components of Africa’s original culture.”
When the [female] Pygmy raises the problem of talking about “an African culture in the singular, when hundreds of different cultures developed in Africa?” Vasil confidently explains that “you have to start somewhere. The city’s founders decided to concentrate on Africa of the equatorial jungle, and we all hope that in the future more cities will be built, specialising each one in a different African culture.” On this level, Luna functions as a kind of Noah’s Ark (it aims to preserve not only human types but wildlife) but Moav is aware of the difficulties (practical if not ethical) of such an approach, and in fact advocates the creation of a truly multicultural society, in which all peoples and types of people play an important part. When the [female] Pygmy points out to Vasil that her and her husband’s “humanity index” is lower than the minimum entry requirement, Vasil makes a case for the need of an intercultural society. When the [male] Pygmy points out that, without Apartheid, intermarriages would lead to the loss of a clearly-defined racial type, Vasil offers Luna’s solution: cloning. The [female] Pygmy then points out that this would be a form of evolutionary dead-end Vasil admits the problem: clearly, even Luna does not have answers for everything.

This is such a bizarre novel, that I find myself going back to it, again and again—I have even managed to acquire my own copy of what is by now an incredibly rare volume (it has never been reprinted). It is not a particularly good novel, but it is disturbing on so many levels... and thought-provoking. And it does that rare thing—it offers a searing critique of Israeli identity, of the mythos of Israel itself.

I could go on—and on... another fascinating aspect of the book is its use of what is probably the only uniquely Israeli sub-genre of science fiction: the dystopia in which Orthodox Judaism takes over Israel, establishing the Jewish equivalent of a Sharia state (we learn of this in the course of the novel). This is, to my mind, the only genuine form of Israeli science fiction to date. In The Encyclopaedia of Science Fiction, Sheldon Teitelbaum mentions a couple of the others:
[A] significant dystopia was written by the established novelist Binyamin Tammuz (d1990): Pundako shel Yermiyahu [“Jeremiah’s Inn”] (1984) is a broad comic satire about an Israel taken over by religious zealots. A grimmer version of the future is Yitzhak Ben-Ner’s Ha’malachim Ba’im [“Angels are Coming”](1987), in which [a] world atomic apocalypse has spared Israel, but by the 21st century life within the theocratic state is characterized by street violence, persecution of the secular minority and widespread alienation.
While the best known of all is probably Amos Keinan’s The Road to Ein Harod, which not only won a Palestinian Peace Prize but was also made—in one of those strange confluences of fate— into a (rather dreadful) English-language film starring none other than Alessandra Mussolini (granddaughter of Il Duce), in a full-frontal nudity scene.

Life really is stranger than fiction... though perhaps not as strange as Luna. Incidentally, in my own The Tel Aviv Dossier (with Nir Yaniv), we got to pay homage to this sub-genre (albeit tongue-in-cheek), while in my forthcoming novel Martian Sands (from Apex Books) a place called The Ram Moav Institute plays a significant role... two other very strange books, I think.

And so... Luna. It’s been with me for years—a deeply disturbing, odd, irritating, impossible book – that very few people have ever read. The last vision of a dying mind? a Fascist utopia? A study of the Israeli psyche? All of these, and more?

Those questions will keep me guessing for a long time to come.

++++++++++++++++++++++++++++++++++

Lavie Tidhar is the author of The Bookman and forthcoming sequel Camera Obscura. Other books include linked-story collection HebrewPunk, novel The Tel Aviv Dossier (with Nir Yaniv), novella An Occupation of Angels and a host of to-be-released novels and novellas including Cloud Permutations , Gorel & The Pot-Bellied God, and Martian Sands. He also edited The Apex Book of World SF and runs the World SF News Blog.


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Cover Unveiled for The World House by Guy Adams


Adam over at The Weirdside reminded me about Guy Adams's The World House a few weeks back and now Angry Robot has released the cover.  What I like so much about the direction of covers at Angry Robot is that they try so many different approaches with each project.  No cookie cutter designs are being thrown out there and they are willing to try some things a bit on the edge.  The World House looks to be the start to a series as well.  Below is part of the description pulled from Guy's blog where an even longer one is located.  The first line was all it took to pique my interest.

There is a box. Inside that box is a door. Beyond that door is a house.

It is a house of many rooms, a veritable labyrinth of dark walnut and Axminster weighed down with the dust of years too numerous to count.

The house is not of our reality or time. People get in but they do not get out.

The house is a world. In some rooms forests grow while others suffer from seasonal downpours or encroaching ice floes.

It's filled with dangers: a lethal library where the books slice unwary readers, a kitchen where intruders are the finest meat and a cellar where something moves, at night when the lamps in the walls grow dim.

The box that leads to this house has been cherished for centuries. Stories of the passageway it contains written of everywhere from the yellow pages of lost Apocrypha to the columns of the National Enquirer.

People have dedicated their lives to finding it. Tracing the box from palm to palm as it switches owners; from museum display cases to padlocked drawers; hermetically sealed wall-safes to the skeletal grip of the dead as they lie in their tombs. The box doesn't care much for the conventional passage of time, it can be found pretty much anywhere in the history of our planet if you only know where to look.

But so few do.

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REVIEW | Couch by Benjamin Parzybok

REVIEW | Moxyland by Lauren Beukes (Angry Robot)

This is a tough one for me to review, because quite honestly I'm not sure I liked it. However, I'm also not sure I hated it. It almost seemed like Beukes set out to write a cyberpunk 1984 of the new generation without much else in mind. It certainly had some good concepts going, but it was a bit too heavy handed and on the predictable side. Moxyland is a very rough book. I don't mean the writing; although it takes awhile to get use to the near future speak as the characters talk in abbreviations, technophile, and made-up words in nearly every sentence. I had the same problem with Snow Crash at first, but I came to appreciate it. The characters are all very rough as is the world they live in, which is a near-future dystopian Cape Town, South Africa where corporations run pretty much everything. At first I thought I was in store for something along the lines of Ian McDonald's River of Gods, but it is nothing that philosophical or as well realized. Moxyland is Beukes's take on the old Orwellian theme of Big Brother watching and controlling the populace. Split into 4 character views it seems like another point of view or major theme was needed to bring the work up another level. Of the 4 POVs I only connected with one of them and it wasn't even the do-gooder character that it should have been. Some good concepts included the importance of everyone being plugged in with their phone, how it can be used against you, and how being "disconnected" is as close to death someone in this society can be, which is an idea coming more and more true everyday. There was also a fairly interesting storyline about one of the main characters being part of a corporate experiment involving nanos that can make you unnaturally healthy, but they also display a sort of advertisement on your skin. One of the characters plays games for money. Sort of like how people nowadays pay for magical swords on eBay for games like EverQuest. I think this is the idea that should have been explored a bit more especially since the lives of everyone being connected is so important. Maybe mixing more of the Game World with the real world would have done it for me. Everything just seemed so vague. Like more detail was needed to get some of the concepts across better. Another problem I had with is the title. Moxyland refers to a children's game one of the character plays, but it is only relevant to 2 chapters and the cuddly and ferocious creatures have no bearing on the story at large. The ending was a bit of let down as I was expecting something bigger, better, and more original. Overall, I didn't find Moxyland as thought provoking as the author intended. What could have been a decidedly discussion worthy book turned into more of a mishmash of themes not explored well enough and kneecapped by characters you can't identify with. I give Moxyland 5 out of 10 Hats. Book link: US Europe Canada